| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Scotto, Ciro |
The Structural Role of Distortion in Hard Rock and Heavy Metal |
2016 |
Music Theory Spectrum |
38 |
|
|
|
|
Slaven, James E.; Krout, Jody L. |
Musicological analysis of guitar solos from the roots of rock through modern heavy metal |
2016 |
Metal Music Studies |
2 |
245-251 |
|
|
|
St-Laurent, Méi-Ra |
‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community |
2019 |
Metal Music Studies |
5 |
379-399 |
|
|
|
St-Laurent, Méi-Ra |
Quand Le Metal Flirte Avec Abba: Analyse Des Transformations Formelles Et Thématiques De « Summer Night City” |
2013 |
Intersections: Canadian Journal of Music |
34 |
135-151,232 |
|
|
|
St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
|
|
|
Swallow, Reuben |
Defining Consonance and Dissonance in Metal Music |
2021 |
|
|
|
|
|
|
Sweers, Britta |
Der lettische Pagan Metal. Eine ethnomusikologische Quellenkritik und Diskursanalyse |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
101-116 |
|
|
|
Tolinski, Brad |
Speed Kills: A Thinking Man’s Guide to Thrash |
1989 |
Guitar World |
October |
|
|
|
|
Tsai, Chen-Gia; Wang, Li-Ching; Wang, Shwu-Fen; Shau, Yio-Wha; Hsiao, Tzu-Yu; Auhagen, Wolfgang |
Aggressiveness of the Growl-Like Timbre: Acoustic Characteristics, Musical Implications, and Biomechanical Mechanisms |
2010 |
Music Perception |
27 |
209-222 |
|
|
|
Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
|
