| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
|
The stylistic history of heavy metal guitar |
2010 |
|
|
|
|
|
|
Puri, Samir |
The Trooper or the Sandman? Iron Maiden’s conservatism versus Metallica’s experimentalism in their philosophies towards musical creativity |
2014 |
Metal Music Studies |
1 |
69-85 |
|
|
|
Lilja, Esa |
Theory and analysis of classic heavy metal harmony |
2009 |
|
|
|
|
|
|
Lilja, Esa |
Theory and Analysis of Classic Heavy Metal Harmony |
2009 |
|
|
|
|
|
|
Aledort, Andy |
Thrashing It Out |
1988 |
Guitar for the Practicing Musician |
March |
|
|
|
|
Garza, Jose M. |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
|
|
|
González, Olga T. |
We Came and Conquered: The Complexities of Viking Metal Music and Culture |
2019 |
|
|
|
|
|
|
Kosek, Jakub (ed) |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
2022 |
|
|
|
|
|
|
St-Laurent, Méi-Ra |
‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community |
2019 |
Metal Music Studies |
5 |
379-399 |
|
