| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Marshall, Wolf |
...And Justice for All |
1989 |
Guitar for the Practicing Musician |
June |
|
|
|
|
Ribeiro, Hugo L. |
A Dinâmica das Identidades: análise estilística e contextual de três bandas de metal na cena rock underground de Aracaju |
2007 |
|
|
|
|
|
|
Tsai, Chen-Gia; Wang, Li-Ching; Wang, Shwu-Fen; Shau, Yio-Wha; Hsiao, Tzu-Yu; Auhagen, Wolfgang |
Aggressiveness of the Growl-Like Timbre: Acoustic Characteristics, Musical Implications, and Biomechanical Mechanisms |
2010 |
Music Perception |
27 |
209-222 |
|
|
|
Petrovic, Paul |
Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
|
|
|
Gamble, Steven |
Breaking down the breakdown in twenty-first-century metal |
2019 |
Metal Music Studies |
5 |
337-354 |
|
|
|
Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
|
|
|
Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Lilja, Esa |
Dealing With The 3rd: Anatomy Of Distorted Chords And Subsequent Compositional Features Of Classic Heavy Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
393-403 |
|
|
|
Phillipov, Michelle |
Death Metal and Music Criticism: Analysis at the Limits |
2012 |
|
|
|
|
