| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
|
|
|
Radovanović, Bojana |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
2021 |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
|
97-110 |
|
|
|
Swallow, Reuben |
Defining Consonance and Dissonance in Metal Music |
2021 |
|
|
|
|
|
|
Mynett, Mark |
Defining contemporary metal music: Performance, sounds and practices |
2019 |
Metal Music Studies |
5 |
297-313 |
|
|
|
Sweers, Britta |
Der lettische Pagan Metal. Eine ethnomusikologische Quellenkritik und Diskursanalyse |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
101-116 |
|
|
|
Brandl, Gregory |
Die Entwicklung und Bedeutung der E-Gitarre im Heavy Metal |
2010 |
|
|
|
|
|
|
Bechtold, Gernot |
Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte |
2008 |
|
|
|
|
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
|
|
Moore, Sarha |
Dissonance and dissidents: the flattened supertonic within and without of heavy metal music |
2010 |
Heavy fundametalisms: music, metal and politics |
|
127-140 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1997 |
The subcultures reader |
|
459-472 |
|
