| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
|
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Ardrey, Caroline |
Baudelaire and Black Metal: Performing Poetry under Perestroika |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
27-45 |
|
|
|
Bajko, Marcin |
Literatura piękna w tekstach utworów artystów polskiej sceny metalowej [Fiction in the texts of works by artists of the Polish metal scene] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
9-28 |
|
|
|
Bardine, Bryan A. |
From Sabbath to Slayer: using metal in the writing classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Bardine, Bryan A. |
Metal and Gothic Literature: Examining the Darker Side of Life (and Death) |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
572-581 |
|
|
|
Bartosch, Roman (ed) |
Heavy Metal Studies: Lyrics und Intertextualität |
2011 |
|
|
|
|
|
|
Bielmann, David |
Sympathie für den Teufel: Deutsche Literatur als Vorlage für Heavy Metal-Lyrics |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
141-153 |
|
|
|
Bolay, Jordan |
‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost |
2019 |
Metal Music Studies |
5 |
5-20 |
|
|
|
Botero Camacho, Manuel; Picón del Campo, Nuria |
A Twist in the Song: Retracing Myth and Dante´s Poem in Heavy Metal Music |
2017 |
Revista ICONO14 |
15 |
166-185 |
|
