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Author  |
Boughali, Khalil |
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Title |
Thoughts on Black Metal |
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Year |
2022 |
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Keywords |
Black Metal |
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Independently published |
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979-8841415299 |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2298 |
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Author |
Brown, Andy R. |
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Title |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
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Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
2 |
Pages |
257-276 |
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Keywords |
History (metal music); Perception of metal music; Rolling Stone (magazine) |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2128 |
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Author |
Brown, Andy R. (ed) |
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Title |
Who Do We Think They Are? Deep Purple and Metal Studies |
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Book Whole |
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Year |
2024 |
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Keywords |
Deep Purple (band) |
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Equinox |
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Editor |
Brown, Andy R. |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2304 |
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Author |
Burkhardt, Guga |
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Title |
Arte extrema para olhos atentos |
Type |
Book Chapter |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Pages |
187-202 |
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Keywords |
Art; Extreme Metal; Album Art |
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Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2362 |
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Author |
Burns, Lori |
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Title |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
Type |
Book Chapter |
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Year |
2023 |
Publication |
Analyzing Recorded Music: Collected Perspectives |
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Pages |
323–338 |
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Keywords |
The Gathering (band); Madylion (album); Female artists; Singing; Musicology |
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Routledge |
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Editor |
Moylan, William; Burns, Lori; Alleyne, Mike |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2396 |
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Author |
Burns, Lori |
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Title |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
Type |
Journal Article |
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Year |
2020 |
Publication |
American Music Perspectives |
Abbreviated Journal |
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Volume |
1 |
Issue |
2 |
Pages |
98-118 |
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Keywords |
Oppression; Race; Gender; Oceans of Slumber (band); Cammie Gilbert (artist) |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2397 |
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Author |
Burns, Lori |
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Title |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
Abbreviated Journal |
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Pages |
196–217 |
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Keywords |
Masculinity; Pain of Salvation (band); Disease |
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Routledge |
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Editor |
Hansen, Kai Arne; Askeroi, Eirik; Jarman, Freya |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2398 |
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Author |
Burns, Lori |
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Title |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
Type |
Book Chapter |
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Year |
2019 |
Publication |
The Bloomsbury Handbook to Popular Music Video Analysis |
Abbreviated Journal |
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Pages |
183-200 |
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Keywords |
Dark Tranquility (band); Videoclips; Extreme metal |
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Publisher |
Bloomsbury Academic |
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Editor |
Burns, Lori; Hawkins, Stan |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2399 |
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Author |
Burns, Lori A.; Armstrong, Patrick |
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Title |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
357-382 |
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Keywords |
Pain of Salvation (band); The Perfect Element (album); Subjectivity; Musicology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2132 |
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Author |
Busey, Sean D. |
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Title |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Abbreviated Journal |
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Pages |
67 |
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Keywords |
Activism; American history; Censorship; Children; Communication and the arts; Conservativism; Heavy metal; PMRC; Political science; Social sciences |
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Abstract |
Historians have long overlooked and misunderstood the Parents Music Resource Center, an activist group formed in 1985 to correct perceived excesses in heavy metal music. Scholars have focused their analyses almost exclusively on the First Amendment implications of the group’s actions, largely dismissing the PMRC in the process. This thesis argues that by expanding the historical analysis of the group to include the social and political climate of previous generations and of the 1980s, the self-stated goals of the PMRC, and a musicological discussion of heavy metal and why the group specifically targeted this genre, we can see that the PMRC was in fact an incredibly influential sociopolitical activist group that is representative of the political shift in the United States in the 1980s. |
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University of Nevada |
Place of Publication |
Ann Arbor |
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978-0-438-17184-8 |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2206 |
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