| |
Records |
Links |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
Type |
Book Whole |
| |
Year  |
2016 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Extreme metal; Loudness; Complexity; Musicology; Theory |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Harvard University |
Place of Publication |
Cambridge |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2385 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
Type |
Journal Article |
| |
Year |
2018 |
Publication |
Music Theory Online |
Abbreviated Journal |
|
|
| |
Volume |
24 |
Issue |
3 |
Pages |
|
|
| |
Keywords |
Musicology; Meshuggah |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ lucas_so_2018 |
Serial |
894 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist |
Type |
Journal Article |
| |
Year |
2019 |
Publication |
Popular Music; Cambridge |
Abbreviated Journal |
|
|
| |
Volume |
38 |
Issue |
3 |
Pages |
481-497 |
|
| |
Keywords |
Black metal; Ecology; Botanist (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
0261-1430 |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ lucas_shrieking_2019 |
Serial |
903 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
Light Shows as Public, Vernacular Music Theory |
Type |
Book Chapter |
| |
Year |
2021 |
Publication |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
s.p. |
|
| |
Keywords |
Concert Lightning |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Oxford University Press |
Place of Publication |
Oxford |
Editor |
Jenkins, J. Daniel |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2383 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
Type |
Journal Article |
| |
Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
|
|
| |
Volume |
27 |
Issue |
4 |
Pages |
s.p. |
|
| |
Keywords |
Concert Lightning |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2384 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
Type |
Journal Article |
| |
Year |
2021 |
Publication |
Popular Music |
Abbreviated Journal |
|
|
| |
Volume |
40 |
Issue |
2 |
Pages |
263-280 |
|
| |
Keywords |
Alien Weaponry (band); Maori metal; Language; Identity; Nationhood |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
0261-1430 |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2386 |
|
| Permanent link to this record |
