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Author  |
Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
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Title |
Son(g)s of Darkness: Identities in Italian Black Metal |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Sounds of origin in heavy metal music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
71-94 |
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Keywords |
Italy; Black Metal; Cultural Identity |
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Publisher |
Cambridge Scholars Publishing |
Place of Publication |
Cambridge |
Editor |
Karjalainen, Toni-Matti |
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Language |
English |
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ISBN |
978-1-5275-1170-5 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ karjalainen_songs_2018 |
Serial |
476 |
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Author |
Fuertes Sánchez, Fernando |
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Title |
Configuración del underground metalero en Bolivia: El caso de la banda de metal extremo Subvertor |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Abbreviated Journal |
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Thesis |
Ph.D. thesis |
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Publisher |
Universidad Andina Simón Bolívar |
Place of Publication |
Quito |
Editor |
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Language |
es |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fuertes_sanchez_configuracion_2018 |
Serial |
1585 |
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Author |
Grütz, Moritz |
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Title |
Metallisierte Welt: auf den Spuren einer Subkultur |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Non-Western scenes; Global scene |
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Publisher |
Hirnkost KG |
Place of Publication |
Berlin |
Editor |
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Language |
ger |
Summary Language |
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Series Volume |
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Series Issue |
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Edition |
1. Auflage |
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ISSN |
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ISBN |
978-3-945398-69-2 |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ grutz_metallisierte_2018 |
Serial |
1620 |
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Author |
Guberman, Daniel |
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Title |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Tyrannny and Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
183-198 |
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Publisher |
Lexington Books |
Place of Publication |
New York |
Editor |
Joseph E. Morgan; Gregory N. Reish |
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Language |
English |
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ISBN |
9781498546812 (hardback); 9781498546829 (eBook) |
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Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2513 |
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Author |
Guibert, Gérôme |
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Title |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Made in France: Studies in Popular Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
296 |
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Keywords |
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Abstract |
Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. |
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Address |
711 Third Avenue, New York, NY 10017 |
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Publisher |
Routledge |
Place of Publication |
New York, NY |
Editor |
Gérôme Guibert, Catherine Rudent |
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Language |
English |
Summary Language |
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Original Title |
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ISBN |
978-1-138-79304 (hbk), 978-1-315-76161 (ebk) |
Medium |
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Notes |
paperback, hardback, eBook |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2470 |
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Author |
Hannan, Calder |
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Title |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
3 |
Pages |
433-458 |
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Keywords |
Musicology; Meshuggah; The Dillinger Escape Plan |
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Abstract |
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Publisher |
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Place of Publication |
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Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
2052-3998 |
ISBN |
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Medium |
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Area |
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Notes |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hannan_difficulty_2018 |
Serial |
603 |
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Author |
Hay, Alexander |
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Title |
Phew – What a blizzard! Black metal and the UK popular press |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
2 |
Pages |
329-341 |
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Keywords |
Reception; Media; United Kingdom |
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Abstract |
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Publisher |
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Place of Publication |
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Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
2052-3998 |
ISBN |
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Medium |
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Area |
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Expedition |
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Notes |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hay_phew_2018 |
Serial |
598 |
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Author |
Hazle, Dawn |
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Title |
Delusions of grandeur? Aria and the development of Soviet metal music |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
History (metal music); Non-Western scenes; Russia; U.R.S.S.; Aria |
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Abstract |
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Address |
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Corporate Author |
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Thesis |
Ph.D. thesis |
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Publisher |
University of Nottingham |
Place of Publication |
Nottingham |
Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Area |
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Notes |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hazle_delusions_2018 |
Serial |
85 |
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| Permanent link to this record |
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Author |
Heesch, Florian |
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Title |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
Type |
Journal Article |
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Year |
2018 |
Publication |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
Abbreviated Journal |
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Volume |
11 |
Issue |
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Pages |
1-18 |
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Keywords |
Aggression, Death metal, Gender and music, Vocal practice, vocal sound |
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Abstract |
Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
- Résumé:
Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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Address |
https://journals.openedition.org/ |
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Corporate Author |
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Publisher |
OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) |
Place of Publication |
Marseille, France |
Editor |
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Language |
English |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
2108-6907 |
ISBN |
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Medium |
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Notes |
https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2320 |
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Author |
Herbst, Jan-Peter |
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Title |
Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
1 |
Pages |
95-113 |
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Keywords |
Musicology |
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Abstract |
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Address |
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Corporate Author |
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Publisher |
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Place of Publication |
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Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
2052-3998 |
ISBN |
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Medium |
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Area |
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Notes |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ herbst_heaviness_2018 |
Serial |
591 |
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| Permanent link to this record |
