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Author |
Brown, Andy R. |
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Title |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
2 |
Pages |
343-363 |
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Keywords |
Methodology; Metal Studies; Politics |
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Language |
en |
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2052-3998 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ brown_manifesto_2018 |
Serial |
599 |
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Author |
Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
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Title |
Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
1 |
Pages |
175-186 |
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Keywords |
Motifs; Cultural Identity; Non-Western scenes; Puerto Rico |
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en |
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2052-3998 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ rivera-segarra_ancestral_2018 |
Serial |
517 |
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Author |
Stricker, Jake A. |
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Title |
Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Keywords |
Heroism; Opera; Singing |
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Master's thesis |
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Publisher |
University of Miami |
Place of Publication |
Coral Gables |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2492 |
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Author |
Patterson, Dayal |
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Title |
Black metal: into the abyss |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Keywords |
Black Metal; History (metal music) |
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Camion blanc |
Place of Publication |
Rosières-en-Haye |
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French |
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978-2-37848-030-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ patterson_black_2018 |
Serial |
1854 |
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Author |
Andrew Klein |
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Title |
Blood, Frets and Tears |
Type |
Miscellaneous |
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Year |
2018 |
Publication |
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Pages |
1'15" |
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Keywords |
Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X |
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Abstract |
“Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) /
Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story);
Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video). |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2272 |
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Author |
Coulombe, Alexander Paul |
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Title |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
110 |
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Keywords |
Asian Studies; Black metal; Community; Cultural anthropology; Globalization; Heavy metal; Japan; Localization; Social transgression |
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Abstract |
This thesis will demonstrate how Black Metal music became established in Japan, how it evolved, and how musicians situate themselves in a globalized form of community. It is a study of how Japanese Black Metal functions in the tensions between globalization and localization, a term called “glocalization” (Victor Roudometof 10). Japanese Black Metal is globalized around a set of rules and ideas, a term Deena Weinstein uses to describe Heavy Metal music called “codes” (Heavy Metal the Music 100). Additionally, as this music is localized, it reveals how many Japanese musicians express uniquely cynical viewpoints of religion and established authority using these globalized codes. Due to its anti-Christian and brutal history in other countries, Black Metal is seen as transgressive against mainstream society. Through electronic ethnographic research with Japanese Black Metal artists, this thesis finally examines how Black Metal is at once desirable yet also transgressive in Japanese society, a country with a comparatively low population of Christians. |
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Master's thesis |
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Publisher |
University of Arizona |
Place of Publication |
Ann Arbor |
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978-0-438-33093-1 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
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2205 |
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Author |
dos Santos Silva, Melina Aparecida |
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Title |
Cartas, fitas cassete e fanzines: A circulação do metal no Brasil como modelo da dádiva |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
1 |
Pages |
231-239 |
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Keywords |
Sociology; Non-Western scenes; Brazil |
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en |
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2052-3998 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ dos_santos_silva_cartas_2018 |
Serial |
519 |
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Author |
Vitolo, Eduardo |
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Title |
Children of Doom |
Type |
Book Whole |
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Year |
2018 |
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Keywords |
History (metal music); Doom metal |
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Tsunami |
Place of Publication |
Milano |
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Language |
ita |
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978-88-948591-7-1 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ vitolo_children_2018 |
Serial |
1842 |
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Author |
Vanek, Gabrielle |
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Title |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
3 |
Pages |
573-583 |
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Keywords |
Musicology; Death metal; Gorgut |
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en |
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2052-3998 |
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UCM - CAM @ amaranta.saguar.garcia @ vanek_classical_2018 |
Serial |
610 |
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Author |
Fuertes Sánchez, Fernando |
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Title |
Configuración del underground metalero en Bolivia: El caso de la banda de metal extremo Subvertor |
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Book Whole |
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Year |
2018 |
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Ph.D. thesis |
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Universidad Andina Simón Bolívar |
Place of Publication |
Quito |
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Language |
es |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fuertes_sanchez_configuracion_2018 |
Serial |
1585 |
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