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Author |
Moores, JR |
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Title |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
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Year |
2021 |
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480 |
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“It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way.
Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.” (source: Reaktion Books) |
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Reaktion Books |
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London, U.K. |
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English |
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1789144485; 978-1789144482 |
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Hardback |
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INTech @ brianhickam2019 @ |
Serial |
2524 |
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Author |
Hudson, Stephen S. |
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Title |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
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Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
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7 |
Issue |
3 |
Pages |
475-478 |
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Keywords |
Metallica (band); Black Album (album); Politics; Alternative Metal |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2247 |
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Author |
Herbst, Jan-Peter |
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Title |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
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Volume |
7 |
Issue |
3 |
Pages |
445-467 |
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Keywords |
Teutonic metal; Music production; Performance; Cultural identity; Aesthetics |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2136 |
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Author |
Swiniartzki, Marco |
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Title |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
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Journal Article |
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Year |
2021 |
Publication |
Archiv für Sozialgeschichte |
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Volume |
61 |
Issue |
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Pages |
445-472 |
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Keywords |
Sociology; Black Metal; Aesthetics; Self-Fashioning |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2232 |
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Author |
Thomas, Niall |
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Title |
Innovation and tradition in metal music production |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
423-443 |
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Keywords |
Recording; Music industry; Music production |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2135 |
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Author |
Lukes, Daniel; Panayotov, Stanimir (eds) |
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Title |
Black Metal Rainbows |
Type |
Book Whole |
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Year |
2021 |
Publication |
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Pages |
400 |
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Designer: Jaci Raia |
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PM Press |
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Lukes, Daniel; Panayotov, Stanimir |
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9781629638812, 9781629638829 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2271 |
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Author |
Rietveld, Hillegonda C.; Monroe, Alexei |
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Title |
Gabber: Raising hell in technoculture |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
399-421 |
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Keywords |
Gabber; Electronic music; Industrial |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2134 |
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Author |
Deacon, David |
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Title |
“Another Version of the Truth”: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
383-397 |
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Keywords |
Nine Inch Nails (band); Year Zero (album); Threat; Lyrics |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2133 |
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Author |
Kolesnik, Alexandra S. |
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Title |
Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s] |
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Journal Article |
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Year |
2021 |
Publication |
Художественная культура |
Abbreviated Journal |
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Volume |
4 |
Issue |
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Pages |
362-381 |
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Keywords |
NWOBHM; Fantay; Machines; Technology; Aesthetics |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2245 |
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Author |
Burns, Lori A.; Armstrong, Patrick |
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Title |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
357-382 |
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Keywords |
Pain of Salvation (band); The Perfect Element (album); Subjectivity; Musicology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2132 |
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