| |
Records |
Links |
|
Author |
Hannan, CalderCalder |
|
| |
Title |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Music Theory Online |
Abbreviated Journal |
|
|
| |
Volume |
28 |
Issue |
1 |
Pages |
s.p. |
|
| |
Keywords |
Musicology; Death metal; Anomalous (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference  |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2382 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
Type |
Book Whole |
| |
Year |
2016 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Extreme metal; Loudness; Complexity; Musicology; Theory |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Harvard University |
Place of Publication |
Cambridge |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2385 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Burns, Lori |
|
| |
Title |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
Type |
Book Chapter |
| |
Year |
2023 |
Publication |
Analyzing Recorded Music: Collected Perspectives |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
323–338 |
|
| |
Keywords |
The Gathering (band); Madylion (album); Female artists; Singing; Musicology |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Routledge |
Place of Publication |
|
Editor |
Moylan, William; Burns, Lori; Alleyne, Mike |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2396 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
García-Peinazo, Diego |
|
| |
Title |
Fantasías intertextuales: los tracks introductorios de las bandas de metal épico y sinfónico en los albores del siglo XXI |
Type |
Journal Article |
| |
Year |
2024 |
Publication |
Análisis musical y musicología: juego de espejos |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
207-218 |
|
| |
Keywords |
Epic metal; Symphonic metal; Intertextuality; Musicology |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Universidad de Oviedo |
Place of Publication |
Oviedo |
Editor |
García-Peinazo, Diego; Ogas Jofre, Julio |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2603 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Hudson, Stephen S. |
|
| |
Title |
Song form and storytelling in mainstream metal |
Type |
Journal Article |
| |
Year |
2023 |
Publication |
Metal Music Studies |
Abbreviated Journal |
|
|
| |
Volume |
9 |
Issue |
1 |
Pages |
7-26 |
|
| |
Keywords |
Musicology; Analysis; Narrative |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
2052-3998 |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2447 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Benefield, Adam J. |
|
| |
Title |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
Type |
Book Whole |
| |
Year |
2020 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Meshuggah (band); Music composition; Musicology |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
Stephen F. Austin State University |
Place of Publication |
Nacogdoches |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2582 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Jordan, James Boddington |
|
| |
Title |
Harmonic Structures of 21st Century Heavy Metal |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Musicology; Harmony |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
University of Huddersfield |
Place of Publication |
Huddersfield |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2233 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
McDowell, Michael A., II |
|
| |
Title |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
Type |
Book Whole |
| |
Year |
2016 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
80 |
|
| |
Keywords |
American south; American studies; Communication and the arts; Film studies; Heavy metal; Musicology; Popular music; Subculture |
|
| |
Abstract |
The Southern Metal scene depends heavily on the performance of a Southern Identity. While considerable research has been done on other musical genres and scenes from the American South (country music, blues, gospel music), less attention has been given to the extreme metal scene of Southern Metal. Using scholarship of Nadine Hubbs, Philip Auslander, Jefferey C. Alexander, and Keith Kahn Harris, among others, I analyze two films, Slow Southern Steel (2010) and NOLA: Life, Death, and Heavy Blues from the Bayou (2014), and one song, Down’s “Eyes of the South” as cultural productions of this Southern Metal scene. In this project, I define the musical elements and scene ethos of Southern Metal as they relate to a wider, more mainstream American audience and describe how these identities and cultural forms are produced, negotiated, and embodied. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
University of South Florida |
Place of Publication |
Ann Arbor |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-369-00899-9 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2220 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Burns, Lori A.; Armstrong, Patrick |
|
| |
Title |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
Type |
Journal Article |
| |
Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
|
|
| |
Volume |
7 |
Issue |
3 |
Pages |
357-382 |
|
| |
Keywords |
Pain of Salvation (band); The Perfect Element (album); Subjectivity; Musicology |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2132 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Swallow, Reuben |
|
| |
Title |
Defining Consonance and Dissonance in Metal Music |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Musicology; Theory; Black Metal; Dissonance; Aesthetics |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
University of Huddersfield |
Place of Publication |
Huddersfield |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2116 |
|
| Permanent link to this record |
