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Author |
Lucas, Olivia R. |
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Title |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
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Year |
2016 |
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Keywords |
Extreme metal; Loudness; Complexity; Musicology; Theory |
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Thesis |
Ph.D. thesis |
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Publisher |
Harvard University |
Place of Publication |
Cambridge |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2385 |
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Author |
García-Peinazo, Diego |
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Title |
Fantasías intertextuales: los tracks introductorios de las bandas de metal épico y sinfónico en los albores del siglo XXI |
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Journal Article |
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Year |
2024 |
Publication |
Análisis musical y musicología: juego de espejos |
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Pages |
207-218 |
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Keywords |
Epic metal; Symphonic metal; Intertextuality; Musicology |
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Universidad de Oviedo |
Place of Publication |
Oviedo |
Editor |
García-Peinazo, Diego; Ogas Jofre, Julio |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2603 |
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Author |
Burns, Lori |
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Title |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
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Book Chapter |
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Year |
2023 |
Publication |
Analyzing Recorded Music: Collected Perspectives |
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Pages |
323–338 |
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Keywords |
The Gathering (band); Madylion (album); Female artists; Singing; Musicology |
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Routledge |
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Editor |
Moylan, William; Burns, Lori; Alleyne, Mike |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2396 |
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Author |
Hudson, Stephen S. |
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Title |
Song form and storytelling in mainstream metal |
Type |
Journal Article |
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Year |
2023 |
Publication |
Metal Music Studies |
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Volume |
9 |
Issue |
1 |
Pages |
7-26 |
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Keywords |
Musicology; Analysis; Narrative |
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ISSN |
2052-3998 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2447 |
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Author |
Benefield, Adam J. |
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Title |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
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Book Whole |
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Year |
2020 |
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Keywords |
Meshuggah (band); Music composition; Musicology |
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Thesis |
Master's thesis |
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Publisher |
Stephen F. Austin State University |
Place of Publication |
Nacogdoches |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2582 |
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Author |
McDowell, Michael A., II |
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Title |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
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Book Whole |
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Year |
2016 |
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Pages |
80 |
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Keywords |
American south; American studies; Communication and the arts; Film studies; Heavy metal; Musicology; Popular music; Subculture |
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Abstract |
The Southern Metal scene depends heavily on the performance of a Southern Identity. While considerable research has been done on other musical genres and scenes from the American South (country music, blues, gospel music), less attention has been given to the extreme metal scene of Southern Metal. Using scholarship of Nadine Hubbs, Philip Auslander, Jefferey C. Alexander, and Keith Kahn Harris, among others, I analyze two films, Slow Southern Steel (2010) and NOLA: Life, Death, and Heavy Blues from the Bayou (2014), and one song, Down’s “Eyes of the South” as cultural productions of this Southern Metal scene. In this project, I define the musical elements and scene ethos of Southern Metal as they relate to a wider, more mainstream American audience and describe how these identities and cultural forms are produced, negotiated, and embodied. |
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Thesis |
Master's thesis |
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Publisher |
University of South Florida |
Place of Publication |
Ann Arbor |
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978-1-369-00899-9 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2220 |
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Author |
Burns, Lori A.; Armstrong, Patrick |
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Title |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
357-382 |
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Keywords |
Pain of Salvation (band); The Perfect Element (album); Subjectivity; Musicology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2132 |
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Author |
Swallow, Reuben |
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Title |
Defining Consonance and Dissonance in Metal Music |
Type |
Book Whole |
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Year |
2021 |
Publication |
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Keywords |
Musicology; Theory; Black Metal; Dissonance; Aesthetics |
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Thesis |
Master's thesis |
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Publisher |
University of Huddersfield |
Place of Publication |
Huddersfield |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2116 |
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Author |
St-Laurent, Méi-Ra; Smialek, Eric |
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Title |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
Type |
Book Chapter |
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Year |
2018 |
Publication |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
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Volume |
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Issue |
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Pages |
378-399 |
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Keywords |
Complexity; Musicology; Elitism; High culture |
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Routledge |
Place of Publication |
Abingdon & New York |
Editor |
Scotto, Ciro; Smith, Kenneth; Brackett, John |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2080 |
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Author |
Garza, Jose M. |
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Title |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
Type |
Journal Article |
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Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
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Volume |
27 |
Issue |
1 |
Pages |
n.p. |
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Keywords |
Musicology |
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en |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2078 |
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