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Author |
Abbott, Helen; Ardrey, Caroline |
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Title |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
Type |
Journal Article |
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Year |
2018 |
Publication |
Esprit Créateur; Baltimore |
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Volume |
58 |
Issue |
1 |
Pages |
130-143 |
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Keywords |
Literature; Black Metal; Baudelaire |
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0014-0767 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ abbott_mon_2018 |
Serial |
890 |
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Author |
Emms, Rachel; Crossley, Nick |
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Title |
Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom |
Type |
Journal Article |
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Year |
2018 |
Publication |
The Canadian Review of Sociology; Montreal |
Abbreviated Journal |
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Volume |
55 |
Issue |
1 |
Pages |
111-135 |
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Keywords |
Sociology; United Kingdom |
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1755-6171 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ emms_translocality_2018 |
Serial |
889 |
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Author |
Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana |
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Title |
‘The rage of the Northmen’: Extreme metal and North-motivated violence |
Type |
Journal Article |
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Year |
2018 |
Publication |
The Polar Record |
Abbreviated Journal |
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Volume |
54 |
Issue |
5-6 |
Pages |
339-348 |
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Keywords |
Violence; Motifs; Extreme Metal; Vikings |
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ISSN |
0032-2474 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ sellheim_rage_2018 |
Serial |
895 |
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Author |
Hoad, Catherine |
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Title |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
Type |
Journal Article |
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Year |
2018 |
Publication |
Popular Music; Cambridge |
Abbreviated Journal |
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Volume |
37 |
Issue |
2 |
Pages |
175-192 |
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Keywords |
Identity; Ghost (band) |
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ISSN |
0261-1430 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hoad_he_2018 |
Serial |
891 |
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Author |
Olsen, Kirk N.; Thompson, William Forde; Giblin, Iain |
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Title |
Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music |
Type |
Journal Article |
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Year |
2018 |
Publication |
Music Perception; Berkeley |
Abbreviated Journal |
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Volume |
35 |
Issue |
5 |
Pages |
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Keywords |
Death metal; Music production |
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English |
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ISSN |
0730-7829 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ olsen_listener_2018 |
Serial |
892 |
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Author |
Calaça, Gleyber Eustáquio; Nascimento, Leonardo Alves; Diniz, Alexandre Magno |
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Title |
Na trilha do metal: a construção de terriotorialidades das bandas de heavy metal em Belo Horizonte nos anos 1980 / On metal tracts: the construction of terriotorialities of heavy metal bands in Belo Horizonte during the 1980s |
Type |
Journal Article |
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Year |
2018 |
Publication |
Caderno de Geografia |
Abbreviated Journal |
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Volume |
28 |
Issue |
54 |
Pages |
650-673 |
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Keywords |
Sociology; History (metal music); Non-Western scenes; Brazil |
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pt |
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ISSN |
2318-2962 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ calaca_na_2018 |
Serial |
1078 |
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Author |
Lucas, Olivia R. |
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Title |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
Type |
Journal Article |
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Year |
2018 |
Publication |
Music Theory Online |
Abbreviated Journal |
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Volume |
24 |
Issue |
3 |
Pages |
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Keywords |
Musicology; Meshuggah |
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English |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ lucas_so_2018 |
Serial |
894 |
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Author |
Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
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Title |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
Type |
Journal Article |
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Year |
2018 |
Publication |
Arte y Políticas de Identidad; Murcia |
Abbreviated Journal |
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Volume |
19 |
Issue |
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Pages |
183-200 |
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Keywords |
Cultural Identity; Non-Western scenes; Indigenity; Mapuche; Peumayen (band) |
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Language |
Spanish |
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Edition |
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ISSN |
1889979x |
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Notes |
Identity, Self-Representation And Decolonial Discourse In The Lyrics Of Mapuche Peumayen Group’S First Album |
Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ pailahual_identidad_2018 |
Serial |
908 |
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Permanent link to this record |
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Author |
Otterbeck, Jonas; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana; Mattsson, Douglas; Pastene, Orlando |
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Title |
“I am Satan!” black metal, Islam and blasphemy in Turkey and Saudi Arabia |
Type |
Journal Article |
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Year |
2018 |
Publication |
Contemporary Islam; Dordrecht |
Abbreviated Journal |
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Volume |
12 |
Issue |
3 |
Pages |
267-286 |
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Keywords |
Islam; Black Metal; Non-Western scenes; Turkey; Saudi Arabia |
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Abstract |
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Language |
English |
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Series Editor |
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Edition |
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ISSN |
1872-0218 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ otterbeck_i_2018 |
Serial |
896 |
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Permanent link to this record |
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Author |
Heesch, Florian |
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Title |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
Type |
Journal Article |
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Year |
2018 |
Publication |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
Abbreviated Journal |
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Volume |
11 |
Issue |
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Pages |
1-18 |
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Keywords |
Aggression, Death metal, Gender and music, Vocal practice, vocal sound |
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Abstract |
Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
- Résumé:
Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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Address |
https://journals.openedition.org/ |
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Publisher |
OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) |
Place of Publication |
Marseille, France |
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Language |
English |
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ISSN |
2108-6907 |
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Notes |
https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2320 |
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Permanent link to this record |